<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/static/rss.xsl"?>
<rss xmlns:atom="http://www.w3.org/2005/Atom"
     xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"
     xmlns:podcast="https://podcastindex.org/namespace/1.0"
     version="2.0">
<channel>
<title>The Community of Theatre</title>
<link>https://community-of-theatre.pinecast.co</link>
<atom:link href="https://pinecast.com/feed/community-of-theatre" rel="self" type="application/rss+xml" />
<generator>Pinecast (https://pinecast.com)</generator>
<language>en-US</language><itunes:author>Derek Smootz</itunes:author>
<description><![CDATA[Sure, Broadway is important, but let’s talk about the *other* 99% of live theaters across America, and the 25,000+ productions they stage each year. Exploring the Who, What, Why, and How of Local, Community, and other not-for-profit varieties of live theater.

Should I audition at the Community Theater down the street? What do my donations pay for? What does a lighting designer do? What’s “blocking”? Should we prioritize putting on shows that are popular, or meaningful? Why are there more male roles, but more women actors? Should we go with a live band or pre-recorded accompaniment for our first Musical?

On the Community of Theater podcast, we explore questions like these with a diverse group of guests who represent the vast spectrum of the live theatre community. 
]]></description>
<itunes:owner>
<itunes:name>Derek Smootz</itunes:name>
<itunes:email>communityoftheatre@gmail.com</itunes:email>
</itunes:owner>
<itunes:explicit>no</itunes:explicit>
<itunes:image href="https://storage.pinecast.net/podcasts/covers/0c1aa9ff-b923-4c0d-8fbf-4e7911b41972/community_of_theatre_v2_3000.jpg" />
<image>
<title>The Community of Theatre</title>
<link>https://community-of-theatre.pinecast.co</link>
<url>https://storage.pinecast.net/podcasts/covers/0c1aa9ff-b923-4c0d-8fbf-4e7911b41972/community_of_theatre_v2_3000.jpg</url>
</image><itunes:type>episodic</itunes:type>
<copyright>All Rights Reserved 2022</copyright>
<itunes:category text="Arts"><itunes:category text="Performing Arts" /></itunes:category>
<item><title>Episode 13: Austin Theatre Project</title>
<guid isPermaLink="false">https://pinecast.com/guid/97c2bbfd-c5f7-4ac3-98e6-6880f323c276</guid>
<pubDate>Fri, 29 Sep 2023 14:29:08 -0000</pubDate>

<itunes:duration>00:44:56</itunes:duration>
<link>https://community-of-theatre.pinecast.co/episode/97c2bbfd/episode-13-austin-theatre-project</link>
<description><![CDATA[<p>I'm joined by Barbara Schuler to discuss the history of Austin Theatre Project, one of the many local production companies that didn't make it through the Covid pandemic.</p>
<p>Follow the podcast:
<a href="https://www.facebook.com/communityoftheatre" rel="nofollow">https://www.facebook.com/communityoftheatre</a></p>
<p>Austin Theatre Project’s Facebook page:
<a href="https://www.facebook.com/profile.php?id=100060741564764" rel="nofollow">https://www.facebook.com/profile.php?id=100060741564764</a></p>]]></description>
<itunes:explicit>no</itunes:explicit>
<enclosure url="https://pinecast.com/listen/97c2bbfd-c5f7-4ac3-98e6-6880f323c276.mp3?source=rss&amp;ext=asset.mp3" length="83025975" type="audio/mpeg" />
<itunes:season>1</itunes:season>
</item>
<item><title>Episode 12: Stage Combat</title>
<guid isPermaLink="false">https://pinecast.com/guid/23faaacd-4b69-429f-892f-50319170ef73</guid>
<pubDate>Mon, 01 May 2023 18:45:33 -0000</pubDate>

<itunes:duration>00:31:43</itunes:duration>
<link>https://community-of-theatre.pinecast.co/episode/23faaacd/episode-12-stage-combat</link>
<description><![CDATA[<p>I’m joined by co-founder of The Broke Thespians Nate Nelson to discuss stage combat at the community theatre level.</p>
<p>Society of American Fight Directors
<a href="https://www.safd.org/" rel="nofollow">https://www.safd.org/</a>
Rogue Steel (stage combat weapon rentals)
<a href="https://roguesteel.com/" rel="nofollow">https://roguesteel.com/</a>
Kult of Athena (stage combat weapon sales)
<a href="https://www.kultofathena.com/" rel="nofollow">https://www.kultofathena.com/</a></p>
<p>The Broke Thespians
<a href="https://www.brokethespianstheatrecompany.org/" rel="nofollow">https://www.brokethespianstheatrecompany.org/</a></p>
<p>Contact or Follow the podcast:
<a href="mailto:communityoftheater@gmail.com" rel="nofollow">communityoftheater@gmail.com</a>
<a href="https://www.facebook.com/communityoftheatre" rel="nofollow">https://www.facebook.com/communityoftheatre</a></p>]]></description>
<itunes:explicit>no</itunes:explicit>
<enclosure url="https://pinecast.com/listen/23faaacd-4b69-429f-892f-50319170ef73.mp3?source=rss&amp;ext=asset.mp3" length="59517787" type="audio/mpeg" />
<itunes:season>1</itunes:season>
</item>
<item><title>Episode 11: Devised Theatre - Love and Information</title>
<guid isPermaLink="false">https://pinecast.com/guid/d3293b3b-1e9b-4b48-9b91-2cc5d9620c9f</guid>
<pubDate>Wed, 12 Apr 2023 11:00:00 -0000</pubDate>

<itunes:duration>00:30:57</itunes:duration>
<itunes:subtitle>Exploring the nuances of Devised Theatre through the Broke Thespians' production of Love and Information</itunes:subtitle>
<link>https://community-of-theatre.pinecast.co/episode/d3293b3b/episode-11-devised-theatre-love-and-information</link>
<description><![CDATA[<p>The Broke Thespians’ latest production is an example of Devised Theatre - find out what that means, as we discuss how the experience of rehearsing this type of show differs from traditional narrative.</p>
<p>Get tickets or information about Love and Information at…
<a href="https://www.brokethespianstheatrecompany.org/" rel="nofollow">https://www.brokethespianstheatrecompany.org/</a>
Facebook: <a href="https://www.facebook.com/BrokeThespiansTheatreCompany/" rel="nofollow">https://www.facebook.com/BrokeThespiansTheatreCompany/</a>
Instagram: <a href="https://www.instagram.com/brokethespianstheatrecompany/" rel="nofollow">https://www.instagram.com/brokethespianstheatrecompany/</a></p>
<p>Follow the podcast:
<a href="https://www.facebook.com/communityoftheatre" rel="nofollow">https://www.facebook.com/communityoftheatre</a>
Email the podcast:
<a href="mailto:communityoftheater@gmail.com" rel="nofollow">communityoftheater@gmail.com</a></p>]]></description>
<itunes:explicit>no</itunes:explicit>
<enclosure url="https://pinecast.com/listen/d3293b3b-1e9b-4b48-9b91-2cc5d9620c9f.mp3?source=rss&amp;ext=asset.mp3" length="56417531" type="audio/mpeg" />
<itunes:season>1</itunes:season>
</item>
<item><title>Episode 10: The Time Before Directors with Doug DeGirolamo</title>
<guid isPermaLink="false">https://pinecast.com/guid/e9e53db8-b9a6-4202-9ebf-841c807bd410</guid>
<pubDate>Thu, 16 Mar 2023 21:07:08 -0000</pubDate>

<itunes:duration>00:45:32</itunes:duration>
<itunes:subtitle>History of Directors 101, and various other topics</itunes:subtitle>
<link>https://community-of-theatre.pinecast.co/episode/e9e53db8/episode-10-the-time-before-directors-with-doug-degirolamo</link>
<description><![CDATA[<p>I'm joined once again by Doug DiGirolamo, who walks us through a brief history of the role of directors, and what preceded them. We wander off onto a few tangents, including discussion of "Song of Spider-Man," script writer Glen Berger's behind the scenes tell-all about getting that production onto the stage.</p>
<p>Follow the show:
<a href="https://www.facebook.com/communityoftheatre" rel="nofollow">https://www.facebook.com/communityoftheatre</a></p>
<p>Email the show:
<a href="mailto:communityoftheater@gmail.com" rel="nofollow">communityoftheater@gmail.com</a></p>
<p>Follow the host:
<a href="https://twitter.com/DerekSmootz" rel="nofollow">https://twitter.com/DerekSmootz</a></p>]]></description>
<itunes:explicit>no</itunes:explicit>
<enclosure url="https://pinecast.com/listen/e9e53db8-b9a6-4202-9ebf-841c807bd410.mp3?source=rss&amp;ext=asset.mp3" length="86575574" type="audio/mpeg" />
<itunes:season>1</itunes:season>
</item>
<item><title>Episode 9: Preproduction with Beth James</title>
<guid isPermaLink="false">https://pinecast.com/guid/8ee3ae5f-3c2a-4ccd-9fc5-827bb3c6df08</guid>
<pubDate>Wed, 01 Mar 2023 09:00:00 -0000</pubDate>

<itunes:duration>00:52:35</itunes:duration>
<itunes:subtitle>We explore the role of a Director in a community production up to the point of auditions</itunes:subtitle>
<link>https://community-of-theatre.pinecast.co/episode/8ee3ae5f/episode-9-preproduction-with-beth-james</link>
<description><![CDATA[<p>I’m joined by Beth James, Director of the upcoming production of 9-5 at the Gaslight-Baker in Lockhart. We discuss everything a Director undertakes prior to auditions, both in general and in particular for this production, for I’ll be serving as co-Music Director. We also touch on Directorial philosophy, dramaturgy, and the overlap between modern psychotherapy and an ethical production environment.</p>
<p>For those in Central Texas and listening close to this episode’s release date, 9-5 auditions are being held March 8 and 9 at the Gaslight-Baker. You can find details here:
<a href="http://mygbt.org/" rel="nofollow">http://mygbt.org/</a></p>
<p>Or, email Beth directly at <a href="mailto:bethannejames91@gmail.com" rel="nofollow">bethannejames91@gmail.com</a> to reserved an audition time.
Follow the show:</p>
<p><a href="https://www.facebook.com/communityoftheatre" rel="nofollow">https://www.facebook.com/communityoftheatre</a>
Email the show:
<a href="mailto:communityoftheater@gmail.com" rel="nofollow">communityoftheater@gmail.com</a>
Follow the host:
<a href="https://twitter.com/DerekSmootz" rel="nofollow">https://twitter.com/DerekSmootz</a></p>]]></description>
<itunes:explicit>no</itunes:explicit>
<enclosure url="https://pinecast.com/listen/8ee3ae5f-3c2a-4ccd-9fc5-827bb3c6df08.mp3?source=rss&amp;ext=asset.mp3" length="94162569" type="audio/mpeg" />
<itunes:season>1</itunes:season>
</item>
<item><title>Episode 8: Reviews and Criticism in the World of Community Theatre</title>
<guid isPermaLink="false">https://pinecast.com/guid/6da631aa-074d-4104-9092-f95e6e9fb551</guid>
<pubDate>Wed, 15 Feb 2023 14:00:00 -0000</pubDate>

<itunes:duration>00:58:48</itunes:duration>
<itunes:subtitle>Exploring the purpose of theatre journalism at the local level, and how it compares to the professional world.</itunes:subtitle>
<link>https://community-of-theatre.pinecast.co/episode/6da631aa/episode-8-reviews-and-criticism-in-the-world-of-community-theatre</link>
<description><![CDATA[<p>I’m joined by Michael Meigs, creator of CTX Live Theatre, to discuss the role of reviews and reviewers in the world of local, community theatre; we touch on an array of topics, including the distinction between reviews and criticism, how writers can, should, and do approach professional versus amateur productions, the relationship between artists and reviewers, and how the era of social media has impacted theatre journalism as a whole.</p>
<p>CTX Live Theatre
<a href="https://ctxlivetheatre.com/" rel="nofollow">https://ctxlivetheatre.com/</a></p>
<p>ATX Theatre
<a href="https://www.atxtheatre.org/" rel="nofollow">https://www.atxtheatre.org/</a></p>
<p>Gilbert and Sullivan Austin
<a href="https://www.gilbertsullivan.org/" rel="nofollow">GilbertSullivan.org</a>
McAdo auditions are Feb 25/26, email <a href="mailto:audition@gilbertsullivan.org" rel="nofollow">audition@gilbertsullivan.org</a> to schedule.</p>
<p>The Broke Thespians (Love/Sick performances are Feb 17/19)
<a href="https://www.brokethespianstheatrecompany.org/" rel="nofollow">https://www.brokethespianstheatrecompany.org/</a></p>]]></description>
<itunes:explicit>no</itunes:explicit>
<enclosure url="https://pinecast.com/listen/6da631aa-074d-4104-9092-f95e6e9fb551.mp3?source=rss&amp;ext=asset.mp3" length="117392508" type="audio/mpeg" />
<itunes:season>1</itunes:season>
</item>
<item><title>Episode 7: Historic Theatres</title>
<guid isPermaLink="false">https://pinecast.com/guid/9281a13c-07ab-4c33-8c80-6df52c128440</guid>
<pubDate>Wed, 01 Feb 2023 12:00:00 -0000</pubDate>

<itunes:duration>00:32:50</itunes:duration>
<itunes:subtitle>Discussing the pros and cons of performing in historic venues, with Lisa Holcomb of the Bastrop Opera House</itunes:subtitle>
<link>https://community-of-theatre.pinecast.co/episode/9281a13c/episode-7-historic-theatres</link>
<description><![CDATA[<p>Recorded on site at the historic Bastrop Opera House, I’m joined by Executive Director Lisa Holcomb to discuss the pros and cons running a theatre company out of a historic venue.</p>
<p>Follow the Bastrop Opera House:
<a href="https://bastropoperahouse.org/" rel="nofollow">https://bastropoperahouse.org/</a></p>
<p>Follow the show:
<a href="https://www.facebook.com/communityoftheatre" rel="nofollow">https://www.facebook.com/communityoftheatre</a></p>
<p>Follow the host:
<a href="https://twitter.com/DerekSmootz" rel="nofollow">https://twitter.com/DerekSmootz</a></p>]]></description>
<itunes:explicit>no</itunes:explicit>
<enclosure url="https://pinecast.com/listen/9281a13c-07ab-4c33-8c80-6df52c128440.mp3?source=rss&amp;ext=asset.mp3" length="61475875" type="audio/mpeg" />
<itunes:season>1</itunes:season>
</item>
<item><title>Episode 6: Creating Inclusive Companies</title>
<guid isPermaLink="false">https://pinecast.com/guid/0b5f3914-03b3-4217-bf57-e188f52da5dd</guid>
<pubDate>Sun, 15 Jan 2023 12:00:00 -0000</pubDate>

<itunes:duration>00:31:28</itunes:duration>
<itunes:subtitle>Discussing how we can better live up to the ideal of inclusivity in audition, rehearsal, and performance spaces</itunes:subtitle>
<link>https://community-of-theatre.pinecast.co/episode/0b5f3914/episode-6-creating-inclusive-companies</link>
<description><![CDATA[<p>Tommie Jackson returns to discuss inclusivity. It's an ideal that most theatre companies espouse, but it's a challenge to truly and consistently foster through audition, rehearsal <em>and</em> performance spaces.</p>
<p>Article - “Broadway loves the white ‘diva’ but shuns the ‘difficult’ black performer”:
<a href="https://www.onstageblog.com/editorials/broadway-loves-the-white-diva-but-shuns-difficult-black-performer" rel="nofollow">https://www.onstageblog.com/editorials/broadway-loves-the-white-diva-but-shuns-difficult-black-performer</a></p>
<p>Follow the Broke Thespians, or find out about Love//Sick  at…
<a href="https://www.brokethespianstheatrecompany.org/" rel="nofollow">https://www.brokethespianstheatrecompany.org/</a>
Facebook: <a href="https://www.facebook.com/BrokeThespiansTheatreCompany/" rel="nofollow">https://www.facebook.com/BrokeThespiansTheatreCompany/</a>
Instagram: <a href="https://www.instagram.com/brokethespianstheatrecompany/" rel="nofollow">https://www.instagram.com/brokethespianstheatrecompany/</a></p>
<p>Follow the show:
<a href="https://www.facebook.com/communityoftheatre" rel="nofollow">https://www.facebook.com/communityoftheatre</a></p>
<p>Follow the host:
<a href="https://twitter.com/DerekSmootz" rel="nofollow">https://twitter.com/DerekSmootz</a></p>]]></description>
<itunes:explicit>no</itunes:explicit>
<enclosure url="https://pinecast.com/listen/0b5f3914-03b3-4217-bf57-e188f52da5dd.mp3?source=rss&amp;ext=asset.mp3" length="30224427" type="audio/mpeg" />
<itunes:season>1</itunes:season>
</item>
<item><title>Episode 5: Why Bother With Live Theatre, Anyway?</title>
<guid isPermaLink="false">https://pinecast.com/guid/7b04a143-66a3-43ba-9ad2-823c1c95f64a</guid>
<pubDate>Sun, 01 Jan 2023 14:00:00 -0000</pubDate>

<itunes:duration>00:37:23</itunes:duration>
<itunes:subtitle>Exporing the role of live, local theater in a globally-connected world</itunes:subtitle>
<link>https://community-of-theatre.pinecast.co/episode/7b04a143/episode-5-why-bother-with-live-theatre-anyway-</link>
<description><![CDATA[<h1></h1>
<p>Does live, local theatre still have a place in the modern world? What does it have to offer that the streaming services don't? I'm joined by Tysha Calhoun, who has worn All The Hats at the Gaslight-Baker Theatre in Lockhart, Texas, to address this fundamental question.</p>
<p>Follow the show:
<a href="https://www.facebook.com/communityoftheatre" rel="nofollow">https://www.facebook.com/communityoftheatre</a>
Follow the host:
<a href="https://twitter.com/DerekSmootz" rel="nofollow">https://twitter.com/DerekSmootz</a></p>]]></description>
<itunes:explicit>no</itunes:explicit>
<enclosure url="https://pinecast.com/listen/7b04a143-66a3-43ba-9ad2-823c1c95f64a.mp3?source=rss&amp;ext=asset.mp3" length="68680880" type="audio/mpeg" />
<itunes:season>1</itunes:season>
</item>
<item><title>Episode 4: The Broke Thespians</title>
<guid isPermaLink="false">https://pinecast.com/guid/b7e2ecef-f35a-4db5-9e40-aca40799dc83</guid>
<pubDate>Thu, 15 Dec 2022 14:00:00 -0000</pubDate>

<itunes:duration>01:24:36</itunes:duration>
<itunes:subtitle>What it takes to start a new theater company during a pandemic</itunes:subtitle>
<link>https://community-of-theatre.pinecast.co/episode/b7e2ecef/episode-4-the-broke-thespians</link>
<description><![CDATA[<p>What does it take to start a theatre company from scratch…in a pandemic?</p>
<p>We’re joined by three core members of The Broke Thespians Theatre Company as they enter their 4th season. Find out how they’re managing to grow an organization, and audiences, in a college town where community efforts are frequently overshadowed by the university.</p>
<p>Follow the Broke Thespians at…
<a href="https://www.brokethespianstheatrecompany.org/" rel="nofollow">https://www.brokethespianstheatrecompany.org/</a>
Facebook: <a href="https://www.facebook.com/BrokeThespiansTheatreCompany/" rel="nofollow">https://www.facebook.com/BrokeThespiansTheatreCompany/</a>
Instagram: <a href="https://www.instagram.com/brokethespianstheatrecompany/" rel="nofollow">https://www.instagram.com/brokethespianstheatrecompany/</a></p>
<p>Follow the podcast:
<a href="https://www.facebook.com/communityoftheatre" rel="nofollow">https://www.facebook.com/communityoftheatre</a></p>
<p>Follow the host:
<a href="https://twitter.com/DerekSmootz" rel="nofollow">https://twitter.com/DerekSmootz</a></p>]]></description>
<itunes:explicit>no</itunes:explicit>
<enclosure url="https://pinecast.com/listen/b7e2ecef-f35a-4db5-9e40-aca40799dc83.mp3?source=rss&amp;ext=asset.mp3" length="149529297" type="audio/mpeg" />
</item>
<item><title>Episode 3: Where Does the Money Go?</title>
<guid isPermaLink="false">https://pinecast.com/guid/52555800-4cd1-4707-b99d-49f061f956a5</guid>
<pubDate>Thu, 01 Dec 2022 14:00:00 -0000</pubDate>

<itunes:duration>00:46:46</itunes:duration>
<itunes:subtitle>A look at the many, often invisible expenses of community theatres...and how to offset them.</itunes:subtitle>
<link>https://community-of-theatre.pinecast.co/episode/52555800/episode-3-where-does-the-money-go-</link>
<description><![CDATA[<p>Did you know you can pick up arts grants at your local grocery store?</p>
<p>Our guest is Doug DeGirolamo of the Gaslight-Baker Theatre, who walks us through the myriad expenses any theatre is likely to face. However expensive those local production tickets might seem, their sales cover only a fraction of any show’s expenses.  Given that reality, we then get into the the other sources of income that theatres can use to make ends meet. </p>
<p>As referenced in two sequential episodes now, if you're on a local theatre board, it's probably worth making sure your organization is a member of the American Association of Community Theatres:
<a href="http://aact.org" rel="nofollow">http://aact.org</a></p>
<p>You can find out more about the Gaslight-Baker here: 
<a href="https://mygbt.org/" rel="nofollow">https://mygbt.org/</a></p>
<p>Follow the show:
<a href="https://www.facebook.com/communityoftheatre" rel="nofollow">https://www.facebook.com/communityoftheatre</a></p>
<p>Follow the host:
<a href="https://twitter.com/DerekSmootz" rel="nofollow">https://twitter.com/DerekSmootz</a></p>]]></description>
<itunes:explicit>no</itunes:explicit>
<enclosure url="https://pinecast.com/listen/52555800-4cd1-4707-b99d-49f061f956a5.mp3?source=rss&amp;ext=asset.mp3" length="44902091" type="audio/mpeg" />
<itunes:season>1</itunes:season>
</item>
<item><title>Episode 2: Who Picks the Shows?</title>
<guid isPermaLink="false">https://pinecast.com/guid/4f25a82d-6178-458c-896b-d3938a99a82c</guid>
<pubDate>Tue, 15 Nov 2022 14:00:00 -0000</pubDate>

<itunes:duration>00:49:04</itunes:duration>
<itunes:subtitle>The challenges of selecting a season from among all the plays every published.</itunes:subtitle>
<link>https://community-of-theatre.pinecast.co/episode/4f25a82d/episode-2-who-picks-the-shows-</link>
<description><![CDATA[<p>How do you get a group of passionate, opinionated theater fans to agree on a few specific shows to produce for a given season?</p>
<p>Join us as we discuss how the Wimberley Players craft their season, how show selection differs across the spectrum from amateur to professional companies, and the myriad considerations - both practical and philosophical - in how to use the limited resource that is “stage time.”</p>
<p>Our guest is Trish Rigdon (Artistic Director of the Wimberley Players), an arts administrator who’s worked with performing arts organizations from local community theaters to nationally renowned professional organizations like the Peter Hall Company in England.
  
You can find out more about the Wimberley Players here: 
<a href="https://www.wimberleyplayers.org/" rel="nofollow">https://www.wimberleyplayers.org/</a></p>
<p>Follow the show:
<a href="https://www.facebook.com/communityoftheatre" rel="nofollow">https://www.facebook.com/communityoftheatre</a></p>
<p>Follow the host:
<a href="https://twitter.com/DerekSmootz" rel="nofollow">https://twitter.com/DerekSmootz</a></p>]]></description>
<itunes:explicit>no</itunes:explicit>
<enclosure url="https://pinecast.com/listen/4f25a82d-6178-458c-896b-d3938a99a82c.mp3?source=rss&amp;ext=asset.mp3" length="84859598" type="audio/mpeg" />
<itunes:season>1</itunes:season>
</item>
<item><title>Episode 1: No Small Parts, Only Small Actors</title>
<guid isPermaLink="false">https://pinecast.com/guid/bfda7848-f2ff-4260-b9ce-2a067ed023ee</guid>
<pubDate>Tue, 01 Nov 2022 13:00:00 -0000</pubDate>

<itunes:duration>00:37:11</itunes:duration>
<itunes:subtitle>Breaking down Stanislavski's enduring adage</itunes:subtitle>
<link>https://community-of-theatre.pinecast.co/episode/bfda7848/episode-1-no-small-parts-only-small-actors</link>
<description><![CDATA[<p>"Yeah, well, you know...no small parts...", he said, rolling his eyes.</p>
<p>Join us as we discuss the use and misuse of one of the theatrical community's most enduring adages. Our guest for this episode is Jason Jones, President of the Gaslight-Baker Theatre (<a href="https://mygbt.org/" rel="nofollow">https://mygbt.org/</a>) in Lockhart, Texas. </p>
<p>Recorded on site at the Gaslight-Baker, Oct. 7 2022.</p>
<p>You can find production photos from Blithe Spirit, as referenced in the show, on the Gaslight-Baker’s Facebook page: 
<a href="https://www.facebook.com/GaslightBaker" rel="nofollow">https://www.facebook.com/GaslightBaker</a></p>
<p>Follow the show:
<a href="https://www.facebook.com/communityoftheatre" rel="nofollow">https://www.facebook.com/communityoftheatre</a></p>
<p>Follow the host:
<a href="https://twitter.com/DerekSmootz" rel="nofollow">https://twitter.com/DerekSmootz</a></p>]]></description>
<itunes:explicit>clean</itunes:explicit>
<enclosure url="https://pinecast.com/listen/bfda7848-f2ff-4260-b9ce-2a067ed023ee.mp3?source=rss&amp;ext=asset.mp3" length="67340595" type="audio/mpeg" />
<itunes:season>1</itunes:season>
</item>
</channel>
<!-- generated in 0s 27035us -->
</rss>