https://www.sfmoma.org/artwork/1034.43/

This podcast is powered by Pinecast.

Notes go here Barnes, Lucinda (1993). "A Proclamation of Moment: Adolph Gottlieb, Mark Rottko and Barnett Newman and the letter to The New York Times". Allen Memorial Art Museum Bulletin. XLVII (1).

1. Tomkins, Calvin (9 June 1975). "A Keeper of the Treasure". The New Yorker. pp. 52–54.
2. ^ Robson, Deirdre (2000). Francis Frascina (ed.). Pollock and After: The Critical Debate. Routledge. p. 290. ISBN 9780415228671. Retrieved 9 January 2013.
3. Collins, Bradford R. (June 1991). "Life Magazine and the Abstract Expressionists: 1948-51. A Historiographic Study of a Late Bohemian Enterprise". The Art Bulletin. LXXIII (2). College Art Association: 283–308. doi:10.2307/3045794. JSTOR 3045794.
4. Hale, Robert Beverly (February 1951). "A Report on American Painting Today: 1950". The Metropolitan Museum of Art Bulletin. New series. 9 (6). New York: The Metropolitan Museum of Art: 162–172. doi:10.2307/3257446. JSTOR 3257446.
5. ^Hale, Robert Beverly (1957). "The American Moderns" (PDF). The Metropolitan Museum of Art Bulletin. 16 (1). New York: The Metropolitan Museum of Art: 18–28. doi:10.2307/3257721. JSTOR 3257721. Retrieved 26 November 2012.
6. ^ "Whitney Drops Proposal for Combining its Collections with the Metropolitan's" (PDF). The New York Times. 1 October 1948. Retrieved 26 November 2012.
7. Staff writer (7 December 1948). "Art Museum adds a Modern Section" (PDF). The New York Times. Retrieved 26 November 2012.
8. Knox, Sanka (1 January 1950). "Competition for American Artists Planned by Metropolitan Museum" (PDF). The New York Times. Retrieved 26 November 2012.
9. ^ Louchheim, Aline (25 March 1951). "Sam A. Lewinsohn and His Legacy to Art". The New York Times. Retrieved 1 December 2012.
10. ^ "Subject of the Artist | art school". Encyclopedia Britannica. Retrieved 7 June 2020.
11. ^ Chilvers, Ian; Glaves-Smith, John (2009). Subjects of the Artist School. Oxford University Press. ISBN 978-0-19-923966-5. Retrieved 7 June 2020. {{[cite book](https://en.wikipedia.org/wiki/Template:Cite_book)}}: |website= ignored (help)
12. ^ "Subjects of the Artist school catalog". Archives of American Art. Smithsonian Institution. Retrieved 7 June 2020.
13. ^ Rosenberg, Bonnie. "An Inside Look at the Abstract Expressionists". NewYorkArtWorld. Retrieved 7 June 2020.
14. Steven, Mark; Swan, Annalyn (2005). de Kooning: American Master. New York: Alfred A. Knopf. ISBN 9781400041756.
15. ^ Alloway, Lawrence; MacNaughton, Mary (1995). Adolph Gottlieb: A Retrospective. Hudson Hills. ISBN 9781555951252. Retrieved 27 November 2012.
16. Naifeh, Steven; White Smith, Gregory (1989). Jackson Pollock: An American Saga. New York: Clarkson N. Potter, Inc. / Publishers. ISBN 0-517-56084-4.
17. "18 Painters Boycott Metropolitan; Charge 'Hostility to Advanced Art'" (PDF). The New York Times. 22 May 1950. Retrieved 25 November 2012.
18. ^ Newman, Barnett (1992). John Philip O'Neill (ed.). Barnett Newman: Selected Writings and Interviews. University of California Press. ISBN 9780520078178. Retrieved 1 December 2012.
19. ^ "The Irascible Eighteen". The New York Herald Tribune. 23 May 1950.
20. ^ Rubenfeld, Florence (1997). Clement Greenberg: a life. New York: Scribner. pp. 144. ISBN 9780684191102.
21. Boxer, Sarah (23 December 2010). "The Last Irascible". The New York Review of Books. Retrieved 28 November 2012.
22. ^ Kees, Weldon (June 2003). Robert E. Knoll (ed.). Weldon Kees and the Mid-Century Generation: Letters, 1935-1955. Lincoln, Nebraska: University of Nebraska Press. ISBN 9780803278080. Retrieved 28 November 2012.
23. ^ "The Revolt of the Pelicans". Time. 5 June 1950. Archived from the original on January 31, 2011. Retrieved 27 November 2012.
24. ^ Taylor, Francis Henry (December 1948). "The Almanac". The Atlantic Monthly. Retrieved 27 November 2012.
25. ^ "75 Painters Deny Museum is Hostile" (PDF). The New York Times. 4 July 1950. Retrieved 27 November 2012.
26. "IRASCIBLE GROUP OF ADVANCED ARTISTS LED FIGHT AGAINST SHOW". Life. 15 January 1951. pp. 34–38. Retrieved 27 November 2012.
27. Breslin, James (2012). Mark Rothko: A Biography. Chicago: University of Chicago Press. ISBN 9780226074061.
28. ^ Boxer, Sarah. "The Last Irascible | Sarah Boxer". ISSN 0028-7504. Retrieved 2023-09-12.
29. ^ Levin, Gail (2011). Lee Krasner: A Biography. New York: HarperCollins. ISBN 9780061845253.
30. ^ "Jackson Pollock: Is he the greatest living painter in the United States?". Life. Vol. 27, no. 6. Time Inc. 8 August 1949. pp. 42–45. ISSN 0024-3019. Retrieved 29 November 2012.
31. ^ Bourdon, D. (November 1985). "Sitting Pretty". Vogue (CLXXV): 116.
32. Sandler, Irving (2003). "2". In Daniel A. Siedell (ed.). Weldon Kees and the Arts at Midcentury. University of Nebraska Press. pp. 39–50. ISBN 9780803242951. Retrieved 29 November 2012.
33. ^ Friedman, Bernard Harper (September 1978). "The Irascibles: A Split Second in Art History". Arts Magazine. Vol. 53, no. 1. pp. 96–102.
34. ^ Sandler, Irving (1970). The Triumph of American Painting: a History of Abstract Expressionism. New York: Praeger Publishers. OL 17754003M.
35. ^ Gibson, Ann Eden (1997). Abstract Expressionism: Other Politics. New Haven, CT: Yale University Press. p. 29. ISBN 0300063393. OL 1006293M.

This podcast is powered by Pinecast.

Support Our Patreon - https://www.patreon.com/3MinModernist

This podcast is powered by Pinecast.

Jess Collins homepage - https://jesscollins.org/

This podcast is powered by Pinecast.

• Museum Collections:

  • The Museum of Modern Art (MoMA) in New York houses Warhol's "The Scream (after Munch)" from 1984, a screenprint measuring approximately 40 x 32 inches. The American-Scandinavian Foundation+1The Museum of Modern Art+1

• Exhibitions:

  • In 2018, the Munch Museum in Oslo showcased "Andy Warhol – After Munch," an exhibition highlighting Warhol's series of 15 prints based on Munch's renowned motifs, including "The Scream." Artchive+8Munchmuseet+8Sothebys.com+8

• Auctions:

  • Sotheby's and Christie's have featured Warhol's "The Scream (after Munch)" in their auctions, noting the unique color variations and the fusion of Warhol's and Munch's artistic visions. Christie's

• Artistic Analysis:

  • The Sparebankstiftelsen DNB art foundation discusses Warhol's energetic Pop rendition of "The Scream," emphasizing how he amplified the image's inherent sense of disturbing anxiety.

This podcast is powered by Pinecast.

Support our Patreon! https://www.patreon.com/3MinModernist

Find out more at https://three-minute-modernist.pinecast.co

At the deYoung Museum, San Francisco.

Find out more at https://three-minute-modernist.pinecast.co

Check out our Patreon! https://www.patreon.com/c/3MinModernist

Find out more at https://three-minute-modernist.pinecast.co

Books

• Beardsley, John. Earthworks and Beyond: Contemporary Art in the Landscape. New York: Abbeville Press, 1998. https://archive.org/details/earthworksbeyond0000bear

• Smithson, Robert. The Collected Writings of Robert Smithson. Edited by Jack Flam. Berkeley: University of California Press, 1996. https://www.ucpress.edu/book/9780520203853/the-collected-writings

• Holt, Nancy. The Writings of Robert Smithson: Essays with Illustrations. New York University Press, 1979. https://archive.org/details/writingsofrobert0000smit

• Tufnell, Ben. Land Art. London: Tate Publishing, 2006. https://www.tate.org.uk/art/artists/robert-smithson-1979

• Kwon, Miwon. One Place After Another: Site-Specific Art and Locational Identity. Cambridge: MIT Press, 2002. https://mitpress.mit.edu/9780262612029/one-place-after-another

• Shapiro, Gary. Earthwards: Robert Smithson and Art After Babel. Berkeley: University of California Press, 1997. https://www.ucpress.edu/book/9780520214132/earthwards

Journal Articles

• Boettger, Suzaan. “Global Warnings: Robert Smithson’s Spiral Jetty in the Era of Climate Change.” Art Journal 67, no. 2 (2008): 24-45. https://doi.org/10.1080/00043249.2008.10791327

• Krauss, Rosalind. "Sculpture in the Expanded Field." October 8 (Spring 1979): 30–44. https://doi.org/10.2307/778224

• Roberts, Jennifer L. "The Mirror Displaced: Robert Smithson’s 'Spiral Jetty' and the Mirror Travel Works." October 100 (Spring 2002): 21-50. https://www.mitpressjournals.org/doi/10.1162/016228702753711781

• Foster, Hal. “The Crux of Minimalism.” October 30 (Fall 1984): 31-46. https://doi.org/10.2307/778357

• Strain, Ellen. "Desert Sites: 'Spiral Jetty' and the Cultural Construction of an American Wilderness." The Yale Journal of Criticism 12, no. 2 (1999): 257-281. https://muse.jhu.edu/article/13137

Documentary Films and Multimedia

• Spiral Jetty: The First 50 Years. Directed by George Trimmer. Documentary Educational Resources, 2020. https://www.der.org/spiral-jetty-the-first-50-years/

• Holt, Nancy, and Robert Smithson. Spiral Jetty: A Film by Robert Smithson. Electronic Arts Intermix, 1970. https://www.eai.org/titles/spiral-jetty

• PBS. “Land Art: Robert Smithson and Spiral Jetty.” Art21: Art in the 21st Century. PBS, 2001. https://art21.org/watch/spiral-jetty/

Exhibition Catalogs

• Whitney Museum of American Art. Robert Smithson: Retrospective Works 1955-1973. New York: Whitney Museum, 1985. https://whitney.org/exhibitions/robert-smithson

• Dia Art Foundation. Robert Smithson: Spiral Jetty and Other Works. New York: Dia Art Foundation, 2004. https://www.diaart.org/exhibition/exhibitions-projects/robert-smithson

Online Resources and Archives

• Dia Art Foundation. "Spiral Jetty." Accessed October 25, 2024. https://www.diaart.org/visit/visit/robert-smithson-spiral-jetty

• Utah Museum of Fine Arts. “Robert Smithson’s Spiral Jetty: A Guide.” Last modified 2020. https://umfa.utah.edu/spiral-jetty

• Holt/Smithson Foundation. “Spiral Jetty: A Legacy.” Accessed October 25, 2024. https://holtsmithsonfoundation.org/spiral-jetty

Find out more at https://three-minute-modernist.pinecast.co

Notes go here

Find out more at https://three-minute-modernist.pinecast.co

Books:

• Glimcher, Mildred, ed. Adventures in Art: 40 Years at Pace. Milan: Leonardo International, 2001. http://nevelson.org/adventures-in-art

• Goldwater, Robert. What is Modern Art? The Museum of Modern Art, New York, 1969. http://nevelson.org/what-is-modern-art

• Goodrich, Lloyd and John I.H. Baur. American Art of Our Century. New York: Frederick A. Praeger Publishing; Whitney Museum of American Art, 1961. http://nevelson.org/american-art-of-our-century

• Grosenick, Uta, ed. Women Artists: In the 20th and 21st Century. Cologne: Taschen, 2003, pp. 141, 142; 2005, pp. 232-237. http://nevelson.org/women-artists-20th-21st-century

• Guerrero, Pedro E. Pedro E. Guerrero: A Photographer’s Journey. Princeton Architectural Press, New York, 2007. http://nevelson.org/photographers-journey

• Hammacher, A.M. The Evolution of Modern Sculpture. New York: Harry N. Abrams, Inc. http://nevelson.org/evolution-of-modern-sculpture

• Hammacher, A.M. Modern Sculpture: Tradition and Innovation. New York: Harry N. Abrams Inc., 1988. http://nevelson.org/modern-sculpture-tradition-innovation

• Hedlund, Ann Lane. Gloria F. Ross & Modern Tapestry. New Haven, CT: Yale University Press, 2010. http://nevelson.org/gloria-ross-modern-tapestry

• Hyman, Paula E. and Deborah Dash Moore, ed. Jewish Women in America: An Historical Encyclopedia, Volume II, M-Z. New York and London: Routledge, 1997. http://nevelson.org/jewish-women-in-america

• Janis, Harriet and Blesh, Rudi. Collage: Personalities, Concepts, Techniques. Philadelphia, Pennsylvania: Chilton Co., 1962. http://nevelson.org/collage-personalities-concepts-techniques

• Kramer, Hilton. Revenge of the Philistines: Art and Culture 1972 – 1984. Free Press, 1985. http://nevelson.org/revenge-of-the-philistines

• Lipman, Jean. Nevelson’s World. Hudson Hills Press, NY, 1983. http://nevelson.org/nevelsons-world

• Lippincott, Jonathan D. Large Scale: Fabricating Sculpture in the 1960s and 1970s. Princeton Architectural Press, New York, NY, 2010. http://nevelson.org/large-scale-fabricating-sculpture

• Lisle, Laurie. Louise Nevelson: A Passionate Life. New York: Summit Books, 1990. http://nevelson.org/a-passionate-life

• MacKown, Diana. Dawns + Dusks. New York: Charles Scribner's Sons, 1976. http://nevelson.org/dawns-and-dusks

• Marshall, Richard. 50 New York Artists. Chronicle Books, 1986. http://nevelson.org/50-new-york-artists

• Matsumoto, Michiko. Portraits: Women Artists. Tokyo: Kawade Shobo Shinsha, 1995. http://nevelson.org/portraits-women-artists

• Miller, Dorothy C., ed. Sixteen Americans. New York: The Museum of Modern Art, 1959. http://nevelson.org/sixteen-americans

• Nevelson, Louise and Edith Sitwell. Nevelson: Façade—Twelve Original Serigraphs in Homage to Edith Sitwell. New York: The Pace Gallery and Harry N. Abrams, Inc., 1966. http://nevelson.org/facade

• Nevelson: Recent Wood Sculpture. New York: The Pace Gallery, 1969. http://nevelson.org/recent-wood-sculpture

• Bryan-Wilson, Julia. Louise Nevelson's Sculpture: Drag, Color, Join, Face. Yale University Press, 2023. https://yalebooks.yale.edu/book/9780300222633/louise-nevelsons-sculpture/

• Wilson, Laurie. Louise Nevelson: Light and Shadow. Thames & Hudson, 2016. http://thamesandhudson.com/books/louise-nevelson-light-and-shadow

Articles and Essays:

• "Louise Nevelson Sculptures, Bio, Ideas." TheArtStory. https://www.theartstory.org/artist/nevelson-louise/

• "A New Louise Nevelson Biography Picks Apart the Artist's Contradictions." Hyperallergic. https://hyperallergic.com/

• "Louise Nevelson: Inventing Herself as a Modern Artist." MoMA. https://www.moma.org/magazine/articles/187

• "Sculpture in the Expanded Field: Louise Nevelson." Art Journal. https://www.artjournal.com/sculpture-expanded-field-louise-nevelson/

• "Louise Nevelson's Monumental Work." Smithsonian American Art Museum. https://americanart.si.edu/exhibitions/nevelson

• "Louise Nevelson's Public Art." Art in America. https://www.artnews.com/art-in-america/features/louise-nevelson-public-art-1234597218/

• "Louise Nevelson: Dark Light." The Guardian. https://www.theguardian.com/artanddesign/2017/jun/10/louise-nevelson-sculpture

• "The Essential Louise Nevelson." Sculpture Magazine. https://sculpturemagazine.art/the-essential-louise-nevelson/

• "Louise Nevelson’s Legacy." ArtForum. https://www.artforum.com/print/202104/louise-nevelson-s-legacy-85253

Wson: The Woman in Black." Tate. https://www.tate.org.uk/art/artists/louise-nevelson-1691Episode Notes

Websties

• Louise Nevelson Foundation https://www.louisenevelsonfoundation.org

• Nevelson.org http://nevelson.org

• TheArtStory: Louise Nevelson https://www.theartstory.org/artist/nevelson-louise/

• MoMA: Louise Nevelson https://www.moma.org/artists/4248

• Smithsonian American Art Museum https://americanart.si.edu/artist/louise-nevelson-3541

• Tate: Louise Nevelson https://www.tate.org.uk/art/artists/louise-nevelson-1691

• Guggenheim: Louise Nevelson https://www.guggenheim.org/artwork/artist/louise-nevelson

• Whitney Museum of American Art https://whitney.org/artists/939

• The Pace Gallery: Louise Nevelson https://www.pacegallery.com/artists/louise-nevelson/

• The Guardian: Louise Nevelson https://www.theguardian.com/artanddesign/2017/jun/10/louise-nevelson-sculpture

• ArtForum: Louise Nevelson's Legacy https://www.artforum.com/print/202104/louise-nevelson-s-legacy-85253

• Sculpture Magazine: The Essential Louise Nevelson https://sculpturemagazine.art/the-essential-louise-nevelson/

• Hyperallergic: A New Louise Nevelson Biography https://hyperallergic.com/

• Yale University Press: Louise Nevelson's Sculpture https://yalebooks.yale.edu/book/9780300222633/louise-nevelsons-sculpture/

• Art in America: Louise Nevelson's Public Art https://www.artnews.com/art-in-america/features/louise-nevelson-public-art-1234597218/

• The Great Women Artists Podcast https://podcasts.apple.com/us/podcast/the-great-women-artists/id1436644141

• The Sculptor's Funeral: Louise Nevelson https://thesculptorsfuneral.com/podcast-episodes/louise-nevelson

• ArtUK: Louise Nevelson https://www.artuk.org/discover/stories/art-matters-podcast-louise-nevelson

• ArtNet: Louise Nevelson https://www.artnet.com/artists/louise-nevelson/

• National Museum of Women in the Arts https://nmwa.org/art/artists/louise-nevelson/

4o

Find out more at https://three-minute-modernist.pinecast.co

Holly Lane at NuMu

Join our Patreon

Find out more at https://three-minute-modernist.pinecast.co

Livingston, Jane, et al. Joan Mitchell. Whitney Museum of American Art, 2002. https://yalebooks.yale.edu/book/9780300093996/joan-mitchell/ Albers, Patricia, et al. Joan Mitchell: Lady Painter: A Life. Alfred A. Knopf, 2011. https://www.penguinrandomhouse.com/books/203572/joan-mitchell-by-patricia-albers/ Bernstock, Judith E. Joan Mitchell. Hudson Hills Press, 1988. https://www.hudsonhills.com/book/joan-mitchell/ Mitchell, Joan, and Yves Michaud. Joan Mitchell: New Paintings. Robert Miller Gallery, 1991. https://www.robertmillergallery.com/joan-mitchell-new-paintings-1991/ Shiff, Richard, et al. Joan Mitchell: I carry my landscapes around with me. David Zwirner Books, 2019. https://davidzwirnerbooks.com/product/joan-mitchell-i-carry-my-landscapes-around-me

Find out more at https://three-minute-modernist.pinecast.co

Mary Abbott Biography - Michael Rosenfeld Art. https://www.michaelrosenfeldart.com/artists/mary-abbott-1921-2019

The New York School: An Overview - MoMA. https://www.moma.org/artists/4456

Mary Abbott's Abstract Expressionism - The New York Times. https://www.nytimes.com/2019/09/04/arts/design/mary-abbott-abstract-expressionist-artist-dies-at-98.html

Women of Abstract Expressionism - Denver Art Museum. https://denverartmuseum.org/exhibitions/women-abstract-expressionism

Ninth Street Women by Mary Gabriel. https://www.penguinrandomhouse.com/books/317488/ninth-street-women-by-mary-gabriel/

Mary Abbott: Rediscovering a Forgotten Artist - ArtNews. https://www.artnews.com/art-news/news/mary-abbott-dies-obituary-abstract-expressionist-artist-1202671656/

Find out more at https://three-minute-modernist.pinecast.co

A raw look at a work by the legend Jann Haworth!

Find out more at https://three-minute-modernist.pinecast.co

Books:

1. Crowley, Aleister. The Book of the Law. Weiser Books, 1976. https://www.amazon.com/Book-Law-Aleister-Crowley/dp/0877283346
2. Crowley, Aleister. The Confessions of Aleister Crowley: An Autohagiography. Arkana, 1989. https://www.amazon.com/Confessions-Aleister-Crowley-Autohagiography-Arkana/dp/0140191897
3. Crowley, Aleister. Magick in Theory and Practice. Dover Publications, 1976. https://www.amazon.com/Magick-Theory-Practice-Aleister-Crowley/dp/0486232952
4. Crowley, Aleister. The Book of Thoth: A Short Essay on the Tarot of the Egyptians. Weiser Books, 2019. https://www.amazon.com/Book-Thoth-Essay-Tarot-Egyptians/dp/0877282684
5. Sutin, Lawrence. Do What Thou Wilt: A Life of Aleister Crowley. St. Martin's Griffin, 2000. https://www.amazon.com/Do-What-Thou-Wilt-Aleister/dp/0312288972
6. Kaczynski, Richard. Perdurabo: The Life of Aleister Crowley. North Atlantic Books, 2010. https://www.amazon.com/Perdurabo-Life-Aleister-Crowley/dp/1556438990
7. King, Francis. The Magical World of Aleister Crowley. Weiser Books, 2004. https://www.amazon.com/Magical-World-Aleister-Crowley/dp/1578633292
8. Symonds, John. The Great Beast: The Life and Magick of Aleister Crowley. Macmillan, 1952. https://www.amazon.com/Great-Beast-Life-Magick-Crowley/dp/0595479532
9. Booth, Martin. A Magick Life: A Biography of Aleister Crowley. Coronet, 2001. https://www.amazon.com/Magick-Life-Biography-Aleister-Crowley/dp/0340728375
10. Churton, Tobias. Aleister Crowley in America: Art, Espionage, and Sex Magick in the New World. Inner Traditions, 2017. https://www.amazon.com/Aleister-Crowley-America-Espionage-Magick/dp/1620556526

Articles:

1. McDonald, R. (2021). "Aleister Crowley: The Wickedest Man in the World." History Extra. https://www.historyextra.com/period/modern/aleister-crowley-the-wickedest-man-in-the-world/
2. Espinosa, M. (2019). "Aleister Crowley’s Influence on Modern Magic." Smithsonian Magazine. https://www.smithsonianmag.com/history/aleister-crowleys-influence-on-modern-magic-180971848/
3. Churton, T. (2016). "Aleister Crowley, the Occult, and Rock & Roll." VICE. https://www.vice.com/en/article/9k5edz/aleister-crowley-the-occult-and-rock-roll
4. Bogdan, H. (2012). "The Influence of Aleister Crowley on Kenneth Anger." Cinema Journal. https://muse.jhu.edu/article/472788
5. Pasi, M. (2009). "Aleister Crowley and the Temptation of Politics." Nova Religio: The Journal of Alternative and Emergent Religions. https://online.ucpress.edu/nr/article-abstract/12/3/4/70854/Aleister-Crowley-and-the-Temptation-of-Politics?redirectedFrom=fulltext
6. Levy, M. (2004). "Aleister Crowley in the Desert: The Last Ritual of the Great Beast." Esoterica. https://www.esoteric.msu.edu/VolumeIV/Crowley.htm

Websites:

1. "The Aleister Crowley Foundation". Accessed August 20, 2024. http://www.aleistercrowleyfoundation.org/
2. "The Hermetic Order of the Golden Dawn - Aleister Crowley". Accessed August 20, 2024. Episode
3. "Thelema: Aleister Crowley’s Religious Philosophy". Accessed August 20, 2024. https://www.thelema.org/
4. "Ordo Templi Orientis (O.T.O.)". Accessed August 20, 2024. http://www.oto.org/
5. "Aleister Crowley: The Great Beast 666". Accessed August 20, 2024. https://www.aleister-crowley-666.com/
6. "The Boleskine House Foundation: Aleister Crowley’s Legacy". Accessed August 20, 2024. https://www.boleskinehouse.org/
7. "Sacred Texts: Aleister Crowley". Accessed August 20, 2024. https://www.sacred-texts.com/oto/crowley.htm

"Aleister Crowley on Thelemapedia". Accessed August 20, 2024. http://www.thelemapedia.org/index.php/Aleister_Crowley

Find out more at https://three-minute-modernist.pinecast.co

A look at Jeanne Finley's wonderful 1982 video - https://www.vdb.org/titles/i-saw-jesus-tortilla

Find out more at https://three-minute-modernist.pinecast.co

• "Basquiat." The Brooklyn Museum. https://www.brooklynmuseum.org/exhibitions/basquiat.
• Buchhart, Dieter, ed. Jean-Michel Basquiat: Now's the Time. Milan: Skira, 2015. https://www.skira.net/en/books/jean-michel-basquiat-now-s-the-time.
• Emmerling, Leonhard. Jean-Michel Basquiat: 1960–1988: The Explosive Force of the Streets. Cologne: Taschen, 2003. https://www.taschen.com/pages/en/catalogue/art/all/06716/facts.jeanmichel_basquiat_19601988.htm.
• Hoban, Phoebe. Basquiat: A Quick Killing in Art. New York: Penguin Books, 2002. https://www.penguinrandomhouse.com/books/60742/basquiat-by-phoebe-hoban/.
• Marshall, Richard, et al. Jean-Michel Basquiat. New York: Whitney Museum of American Art, 1992. https://archive.org/details/jeanmichelbasqui00whit.
• Saggese, Jordana Moore. Reading Basquiat: Exploring Ambivalence in American Art. Berkeley: University of California Press, 2014. https://www.ucpress.edu/book/9780520274423/reading-basquiat.
• Schimmel, Paul, et al. Basquiat. Vienna: Hatje Cantz, 2010. https://www.hatjecantz.de/basquiat-3209-1.html.
• Shengold, Nina. "Jean-Michel Basquiat." Artforum International, vol. 27, no. 4, December 1988, pp. 109-110. JSTOR, https://www.jstor.org/stable/777002.
• Sirmans, Franklin, et al. Basquiat. Paris: Editions Gallimard, 2010. https://www.gallimard.fr/Catalogue/GALLIMARD/Art-et-Architecture/Basquiat.
• SNAKE-1, et al. "Basquiat: His Journey Through the 20th Century." Jean-Michel Basquiat, 2021, https://jean-michelbasquiat.com/basquiat-his-journey-through-the-20th-century/.

Find out more at https://three-minute-modernist.pinecast.co

Ruben Salazar. (n.d.). In Wikipedia. Retrieved April 26, 2024, from https://en.wikipedia.org/wiki/Ruben_Salazar Pulido, L. (2015). The Death of Rubén Salazar: Surreptitious Specters, Hidden Histories, and the Disavowal of Mexican America. American Quarterly, 67(2), 309-331. https://doi.org/10.1353/aq.2015.0016 Rodriguez, G. (2014, August 29). How a Legendary L.A. Reporter Who Knew Too Much Met His Mysterious End. Los Angeles Times. https://www.latimes.com/local/la-me-ruben-salazar-20140830-story.html Mujeres Muralistas. (n.d.). In Chicano Park Virtual Tour. Retrieved April 26, 2024, from https://www.chicanoparksandiego.com/muralists Chicano Park Murals. (n.d.). In Digital Archive of Mural Art. Retrieved April 26, 2024, from https://muralarchive.library.ucla.edu/node/43

Find out more at https://three-minute-modernist.pinecast.co

Barnett Newman Foundation. "Broken Obelisk." Barnett Newman Foundation, https://www.barnettnewman.org/sculpture/broken-obelisk. Museum of Modern Art. "Broken Obelisk, Barnett Newman (United States, 1905–1970)." MoMA, https://www.moma.org/collection/works/81736. Houston Chronicle. "What’s the Story Behind Houston’s Broken Obelisk?". Houston Chronicle, https://www.houstonchronicle.com/news/houston-texas/houston/article/What-s-the-story-behind-Houston-s-Broken-Obelisk-6116775.php. University of Washington Libraries Digital Collections. "Broken Obelisk, Barnett Newman." University of Washington Libraries Digital Collections, https://digitalcollections.lib.washington.edu/digital/collection/hoover/id/112. "Broken Obelisk by Barnett Newman." Encyclopedia Britannica, https://www.britannica.com/topic/Broken-Obelisk.

Find out more at https://three-minute-modernist.pinecast.co

1. Morris, Sarah. "Sarah Morris: 1972." Guggenheim Museum Publications, 2009. This publication provides an overview of Sarah Morris's artistic practice, including her work "1952 (Rings)".
2. Dziewior, Yilmaz. "Sarah Morris: Beijing." Hatje Cantz, 2010. Although this book focuses primarily on Morris's work related to Beijing, it offers insights into her broader artistic themes and influences, which may shed light on "1952 (Rings)".
3. Gioni, Massimiliano, and Sarah Morris. "Sarah Morris: Capital." Charta, 2001. This publication accompanies an exhibition of Morris's work, including "1952 (Rings)". It likely contains critical essays and images related to the artwork.
4. Kamps, Toby, et al. "Sarah Morris: Bye Bye Brazil." Richter Verlag, 2010. While this book centers on Morris's project in Brazil, it could offer contextual information relevant to understanding "1952 (Rings)" in the context of her broader body of work.
5. Morris, Sarah, et al. "Sarah Morris: Los Angeles." JRP|Ringier, 2019. This publication may not directly discuss "1952 (Rings)", but it provides insight into Morris's exploration of urban landscapes and architecture, which are themes present in her work.
6. Obrist, Hans Ulrich, and Sarah Morris. "Sarah Morris." Moderna Museet, 2009. Published in conjunction with an exhibition at the Moderna Museet, this book could contain critical essays and interviews that touch upon "1952 (Rings)".
7. Schwabsky, Barry, et al. "Sarah Morris: Paintings, Drawings, Films." Richter Verlag, 2005. While primarily focusing on Morris's paintings, drawings, and films, this book may provide valuable background information on "1952 (Rings)".
8. Searle, Adrian, et al. "Sarah Morris: Beijing." Modern Art Oxford, 2008. This catalog accompanies an exhibition of Morris's work in Beijing, offering insights into her artistic process and themes, which could aid in understanding "1952 (Rings)".
9. Sirmans, Franklin, and Sarah Morris. "Sarah Morris: Rio." Artangel, 2005. Although centered on Morris's project in Rio de Janeiro, this publication may contain discussions or images that relate to "1952 (Rings)".
10. Tumlir, Jan, et al. "Sarah Morris: Midtown." JRP|Ringier, 2006. While focused on Morris's exploration of Midtown Manhattan, this book could provide useful context for understanding "1952 (Rings)" within the broader scope of her urban-themed works.

Find out more at https://three-minute-modernist.pinecast.co

Sculpture "Love" by Marisol at Whitney Museum of American Art Website: https://whitney.org/collection/works/1131

Marisol Escobar - The Metropolitan Museum of Art Website: https://www.metmuseum.org/toah/hd/mari/hd_mari.htm

Marisol Escobar Biography - The Art Story Website: https://www.theartstory.org/artist/escobar-marisol/

Marisol Escobar - Encyclopedia Britannica Website: https://www.britannica.com/biography/Marisol

Marisol Escobar Biography - National Gallery of Art Website: https://www.nga.gov/collection/artist-info.3995.html

Marisol (Marisol Escobar) - Guggenheim Website: https://www.guggenheim.org/artwork/artist/marisol-escobar

Marisol - Museum of Modern Art (MoMA) Website: https://www.moma.org/artists/3840

Marisol Escobar - Smithsonian American Art Museum Website: https://americanart.si.edu/artist/marisol-escobar-1442

Marisol Escobar - Tate Website: https://www.tate.org.uk/art/artists/marisol-escobar-1058

Marisol - The Art Institute of Chicago Website: https://www.artic.edu/artists/27459/marisol

Find out more at https://three-minute-modernist.pinecast.co

1. Kim, H. K., & Nam June Paik Art Center. (2008). Nam June Paik. Nam June Paik Art Center. https://njpac-en.ggcf.kr/exhibition/nam-june-paik/
2. Electronic Arts Intermix. (n.d.). Nam June Paik: Bakelite Robot. Electronic Arts Intermix. https://www.eai.org/titles/bakelite-robot
3. Tate. (n.d.). Nam June Paik: Bakelite Robot (2002) – Artwork details. Tate. https://www.tate.org.uk/art/artworks/paik-bakelite-robot-t12764
4. Solomon R. Guggenheim Museum. (n.d.). Nam June Paik: Bakelite Robot (2002) – Exhibition Overview. Solomon R. Guggenheim Museum. https://www.guggenheim.org/exhibition/nam-june-paik
5. Nam June Paik Estate. (n.d.). Bakelite Robot. Nam June Paik Estate. http://www.paikstudios.com/pages/bakelite-robot
6. The Museum of Modern Art. (n.d.). Nam June Paik. The Museum of Modern Art. https://www.moma.org/artists/4471
7. Harvard Art Museums. (n.d.). Paik, Nam June. Harvard Art Museums. https://www.harvardartmuseums.org/collections/person/28226?person=28226
8. Centre Pompidou. (n.d.). Nam June Paik. Centre Pompidou. https://www.centrepompidou.fr/en/ressources/personne/c8Gyjk
9. MoMA PS1. (n.d.). Nam June Paik: Becoming Robot. MoMA PS1. https://www.moma.org/calendar/exhibitions/4099
10. Smithsonian American Art Museum. (n.d.). Paik, Nam June. Smithsonian American Art Museum. https://americanart.si.edu/artist/nam-june-paik-3737

Find out more at https://three-minute-modernist.pinecast.co

Holzwarth, Hans Werner. (2016). Clyfford Still. Taschen. [https://www.taschen.com/pages/en/catalogue/art/all/44668/facts.clyfford_still.htm]

Anfam, David. (2012). Clyfford Still: The Artist's Materials. Clyfford Still Museum. [https://clyffordstillmuseum.org/publication/clyfford-still-the-artists-materials/]

Still, Clyfford. (2012). Clyfford Still: The Artist's Museum. Clyfford Still Museum. [https://clyffordstillmuseum.org/publication/clyfford-still-the-artists-museum/]

Giménez, Carmen, & Still, Clyfford. (2001). Clyfford Still: 1904-1980. The Menil Collection. [https://www.menil.org/exhibitions/153-clyfford-still-1904-1980]

Still, Clyfford. (1997). Clyfford Still: Paintings, 1944-1960. The Metropolitan Museum of Art. [https://www.metmuseum.org/art/metpublications/Clyfford_Still_Paintings_1944_1960]

Marika Herskovic. (2003). American Abstract Expressionism of the 1950s: An Illustrated Survey. New York School Press.

Sandler, Irving. (1970). The Triumph of American Painting: A History of Abstract Expressionism. Praeger Publishers.

Kramer, Hilton. (1959). The New York School: A Cultural Reckoning. Harper & Row.

Kuspit, Donald. (1990). Clyfford Still: Paintings 1944-1960. Hirshhorn Museum and Sculpture Garden. Clyfford Still Museum. (n.d.). Clyfford Still Biography. [https://clyffordstillmuseum.org/clyfford-still/biography/]

Find out more at https://three-minute-modernist.pinecast.co

Bibliography

1. "Equal (2015)" - Dia Art Foundation. https://www.diaart.org/visit/visit/dia-beacon-beacon-new-york-usa/artwork/equal-2015-richard-serra
2. "Equal (2015) by Richard Serra" - Artsy. https://www.artsy.net/artwork/richard-serra-equal
3. "Equal" - Wikipedia. https://en.wikipedia.org/wiki/Equal_(sculpture)
4. "Richard Serra: Sculpture, Prints, Drawings" - Gagosian. https://gagosian.com/artists/richard-serra/
5. "Richard Serra" - The Museum of Modern Art (MoMA). https://www.moma.org/artists/5345
6. "Richard Serra’s ‘Equal’ at David Zwirner, London" - Blouin ArtInfo. https://www.blouinartinfo.com/news/story/1251698/richard-serras-equal-at-david-zwirner-london
7. "Richard Serra: Equal" - David Zwirner Gallery. https://www.davidzwirner.com/exhibitions/2015/richard-serra-equal
8. "Equal by Richard Serra" - The Broad. https://www.thebroad.org/art/richard-serra/equal
9. "Richard Serra" - Guggenheim Museum. https://www.guggenheim.org/artwork/artist/richard-serra
10. "Equal" - Public Art Archive. https://www.publicartarchive.org/work/equal

Find out more at https://three-minute-modernist.pinecast.co

Support our Patreon - https://www.patreon.com/3MinModernist

Bibliography

1. Serra, Richard. Writings/Interviews. Edited by Douglas Crimp, University of Chicago Press, 1994.
2. Serra, Richard, and Kynaston McShine. Richard Serra Sculpture: Forty Years. Museum of Modern Art, 2007.
3. Serra, Richard, and Hal Foster. Richard Serra, Sculpture. Guggenheim Museum, 1992.
4. Foster, Hal. "The Return of the Real: Richard Serra's Drawings." October, vol. 58, 1991, pp. 31-41.
5. Brenson, Michael. "ART VIEW; Richard Serra: The Space Between." The New York Times, 9 Nov. 1986, www.nytimes.com/1986/11/09/arts/art-view-richard-serra-the-space-between.html.
6. Kimmelman, Michael. "Richard Serra, Sculptor: Constructing New Worlds with Steel." The New York Times, 29 Mar. 1987, www.nytimes.com/1987/03/29/arts/art-view-richard-serra-sculptor-constructing-new-worlds-with-steel.html.
7. Hobbs, Robert. "Richard Serra." Artforum International, vol. 32, no. 9, 1994, pp. 82–87.
8. Ellegood, Anne, et al. Focus: Richard Serra. The Museum of Contemporary Art, Los Angeles, 2006.
9. Goldberg, Vicki. "Serra’s Public Art: Challenge and Awe." The New York Times, 16 June 1985, www.nytimes.com/1985/06/16/arts/art-view-serra-s-public-art-challenge-and-awe.html.
10. Kertess, Klaus. Richard Serra Sculpture: Forty Years. Museum of Modern Art, 2007.
11. McShine, Kynaston, and Lynne Cooke. Richard Serra Drawing: A Retrospective. The Menil Collection, 2011.
12. Zelevansky, Lynn. "Richard Serra's 'Prop Pieces': An Interview." Artforum International, vol. 20, no. 7, 1982, pp. 30–35.
13. Krauss, Rosalind E. "The Originality of the Avant-Garde and Other Modernist Myths." The MIT Press, 1985.
14. Kramer, Hilton. "The Art World's Giant with the Flair of a Lilliputian." The New York Times, 20 Mar. 1983, www.nytimes.com/1983/03/20/arts/the-art-world-s-giant-with-the-flair-of-a-lilliputian.html.
15. Kimmelman, Michael. "Experiencing Richard Serra's Mammoth 'Intersection'." The New York Times, 11 Oct. 1992, www.nytimes.com/1992/10/11/arts/art-experiencing-richard-serra-s-mammoth-intersection.html.

Find out more at https://three-minute-modernist.pinecast.co

Resources for info on Cy Twombly

1. The Cy Twombly Foundation Website (cytwombly.org)
2. The Museum of Modern Art (MoMA) (moma.org)
3. The Gagosian Gallery (gagosian.com)
4. Tate Modern (tate.org.uk)
5. The Whitney Museum of American Art (whitney.org)
6. Artforum (artforum.com)
7. The Art Story (theartstory.org)
8. The Guardian Art & Design Section (theguardian.com/artanddesign)
9. The New York Times Art Section (nytimes.com/section/arts)
10. Google Arts & Culture (artsandculture.google.com)

Support our Patreon - https://www.patreon.com/3MinModernist

Find out more at https://three-minute-modernist.pinecast.co

Art Institute page

Find out more at https://three-minute-modernist.pinecast.co

Follow Our Patreon

Find out more at https://three-minute-modernist.pinecast.co

Joan Brown (1938-1990) was an American figurative painter who was a key figure in the Bay Area Figurative Movement, which emerged in San Francisco in the 1950s and 60s. Her work is known for its powerful use of color and its exploration of identity, often focusing on the female experience. Brown was born in San Francisco and studied at the California School of Fine Arts (now the San Francisco Art Institute). She was strongly influenced by the Bay Area Figurative painters, including Richard Diebenkorn and David Park, who emphasized the importance of the human figure in their work. Brown's early paintings were characterized by a bold use of color and a focus on the human form, often depicting herself or her family members. In the 1960s, her work became more abstract, with a greater emphasis on texture and surface. In the 1970s, Brown returned to figurative painting, creating powerful images of women that challenged traditional notions of femininity. Her work often explored themes of motherhood, sexuality, and identity, and she was one of the few female artists of her time to gain widespread recognition. Brown's work has been exhibited widely in the United States and abroad, and she has been the subject of numerous retrospectives, including a major exhibition at the Berkeley Art Museum in 1990, the year of her death. Her legacy continues to influence contemporary artists today.

Find out more at https://three-minute-modernist.pinecast.co

https://www.ubu.com/aspen/aspen3/

Aspen magazine issue three is an utterly important document of pop art, a magazine a document of pop art Go figure, but Aspen was different. It was a magazine in a box. It was a bunch of loose printed pieces and audio pieces and sometimes even video pieces placed into a box and sold the 1960s and into the early 70s. I own three of them and sadly not issue three which is the pop art issue, which was designed by Andy Warhol and David Dalton. And this is an absolutely massively important piece. The pieces range from the Velvet Underground, the view from the bandstand which includes their a flexi disc and some of their music. It includes pieces by John Cale and Peter Walker, a wonderful 12 paintings from the powers collection. And that's the art collection of Thomas powers. And it has James Rosenquist, Bridget Riley, Joe Lang, Lichtenstein, Noland Warhol, Klaus Oldenburg plays Oldenburger Larry Poons, Jasper Jones, de Kooning, an underground movie flipbook by Warhol were you flipping it includes Warhols kiss a 10 trip ticket book, which was from the Berkeley conference on LSD, the plastic exploding inevitable, which is a one shot newspaper done for the Velvet Underground and Warhols factory show series. what's incredible about this isn't necessarily the quality of individual pieces, but how the consolidation of them into a box makes so much sense with the method because the cover is done as a mock of FAB detergent, and it says fab 10 cents off and then there's now Aspen it's an incredibly pop art image. And since it's a box, it's mocking and mimicking a boxed product. In essence, this is exactly what pop art is doing. It is documenting the everyday world and showing it back at you in a way that you will recognize and this magazine and the link I'll include is just phenomenal. And I'll do another couple of aspen issues, including two that I own. So stay tuned.

Find out more at https://three-minute-modernist.pinecast.co

An issue of Claims Department about Public Art and Benny Bufano

Find out more at https://three-minute-modernist.pinecast.co

Go and visit LACMA!

Find out more at https://three-minute-modernist.pinecast.co

Transcript by otter.AI

ThreeMinuteModernist-TheBean

SUMMARY KEYWORDS work, jeff koons, anish kapoor, various backgrounds, magnificent, stunning, piece, chicago skyline, war memorial, frank gehry, magnificently, aforementioned, millennium park, issue, multifocal, morphed, balloon, skyline, amphitheatre, funhouse mirror SPEAKERS Christopher Garcia   Christopher Garcia  My recent trip to Chicago I had one must-see, and that was Anish Kapoor's Cloud Gate, better known as 'The Bean.' And it's a stunning work, it really is, as much as Anish Kapoor is the most troubling artist working today. He's kinda like Jeff Koons was in 1989. He put out a piece that is just magnificent. It's a piece that speaks of its time and its place, and the viewer. Because this is what is so amazing. When you look at this work, in particular, its position in Millennium Park, you can walk all the way around it, you're reflected in it. At the same time, you're morphed like a multifocal funhouse mirror, and you can walk under it and look up and this beautiful sort of divot, which gives this very different form of distortion to everything you see, it's magnificently beautiful. It is a stunning work. Of course, it was over budget and delayed, but let's not go there. One of the things that makes it so impressive is the ability to take a picture of it. With the various backgrounds. Taken from one angle, you see much of the Chicago skyline from another you catch the Frank Gehry-designed amphitheatre from another you get skyline and I believe it's a war memorial of some sort. Another way and its trees. But what will be in all of those photos is the photographer, you will always see yourself in the work. This is far from the first work that managed that. Jeff Koons, the aforementioned, f course with his balloon dogs, for example, but as a piece of public art, it does magnificent things to draw you in, as well as encapsulate you within this work. It's a masterpiece. It's a masterpiece of public art, and I'm so glad I got to see it in person. Finally,

Find out more at https://three-minute-modernist.pinecast.co

You can find out more about Phoenix Data Art and Soviet Space Dogs

Find out more at https://three-minute-modernist.pinecast.co

Our Patreon, as a part of Three Minute Modernist - https://www.patreon.com/3MinModernist

Find out more at https://three-minute-modernist.pinecast.co

Our Patreon

Auto-Generated Transcript

ThreeMinuteModernist2022-UntitledDancingGirls-ErnestBriggs Mon, 8/15 10:50AM • 3:05 SUMMARY KEYWORDS figures, work, abstract, museum, fascinating, dynamic, british museum, inhabiting, dancing, sensation, briggs, bish, entire, representational, poses, women, canvas, garcia, indications, ernest SPEAKERS Christopher Garcia   Christopher Garcia  Ernest Briggs is an artist I've been aware of mostly for his association with the abstract expressionists. The 1960s, work, Untitled dancing girls is fantastic. In that sort of way that Richard Diebenkorn or Elmer Bischoff, we're in their representational phases, Phil Gusman, to a degree as well. Here, it's eight figures, all nude dancing. And they're both women and men. And it's fascinating because, first off, there is a genuine sexuality to the entire thing. The men all have erections, the women are all exceptionally sexy. In a way, it seems to be referencing a lot of the works that we were beginning to see filter into museums from Thailand from India that were hyper-sexualized as they were presented. In those museum settings. You can still see it today at the British Museum for very good example. The poses are incredibly dynamic. But what's fascinating is the level of abstraction. Because while pretty much the entire anatomy is evident, the faces are abstracted greatly. And well, the surrounding portions of them have various paint indications. It's really just as if that is indicating where the figure is in front of as if they are not in the same scene. They are just being placed together with some of their evidence, I guess. It's a beautiful dynamic piece. But the sensation I get from it is what's interesting, because it is the sensation of poking through not necessarily of inhabiting a canvas but being inserted into the Canvas from something else. And the distortion of the face. It seems to indicate not that the figures are indistinct, but that they are not whole. That we are only catching a glimpse. That's powerful, powerful, artistic work. And it's one of the reasons why I'm going to be looking a lot more into earnest briggs

Find out more at https://three-minute-modernist.pinecast.co

Take a look at our Patreon!!!

Find out more at https://three-minute-modernist.pinecast.co

You can support our Patreon

Find out more at https://three-minute-modernist.pinecast.co

Our Patreon

Transcript (95-ish percent accurate!)

SUMMARY KEYWORDS feels, painting, piece, david, sally, acrylic, paintwork, shapely, blue stripe, lime green, salle, present, image, top, takata, lollipop, front, untitled, meme, encountering   David Salle is a postmodernist who's probably closer to a pop artist than anything else. He tweeted a image of a new painting he did called Untitled. it's 2022. And it's flashe, acrylic and pencil on paper, which has been mounted to aluminum.   But it also fully feels like David Sally has embraced meme culture. Because the image is of a shapely young woman looking back at a well built young gentleman. She's in this beautiful green dress, he's in a lime green tank top and looks like black jeans. But in between them is something interesting. It is a globule, the only way I can really put it, you can see the letters S E. And this sort of Pac Man like symbol, it kind of looks like you might want you might see on a lollipop, but it is 100% between them. But then again, there's more to the painting. There's this blue stripe of acrylic that goes across the top, and it actually passes in front of between the two of them, it looks like but in front of the man's head, and you see the back of his head. And it's he's got black hair, but there's this sort of like baldy spot, and you can see the blue through it. It's as if he's not really there. But he's there. Cuz she's looking at him. In the same way that we're looking at him. Only she's looking at the front part.   The whole idea here seems to be a separation between two people who are looking at each other, but forced to look through a lens of a third thing that is present in the painting that we're not given much of. And it might be that those two are the only two who actually have anything of an idea of what this piece is between them. It doesn't seem to be created by them, it seems to be them encountering it, almost like a fence that they're looking over. It's a fascinating piece and it has this feeling of the classic you know, he's looking at this girl who's walking by and his girlfriend looks exasperated  at him for looking at her. Could well be but the whole thing feels as if it is a reference outside of itself, which is David Sally's real leisure domain, but honestly, it just feels as if he is leaning into the present. And the piece, you know the paintwork kind of feels like a Teppei Takata there's just this sense of paint to it. Something I don't usually sort of ascribe to David Salle works

Find out more at https://three-minute-modernist.pinecast.co

SFMoMA's page on Ponzona

Find out more at https://three-minute-modernist.pinecast.co

You can follow our patreon at https://www.patreon.com/3MinModernist

Find out more at https://three-minute-modernist.pinecast.co

Amber Goldhammer is a remarkable artist out of LA whose work over the last few years has blown me away. Here, I look at one of her most impressive pieces... even if it's slightly away from her normal fare.

Take a look at our Patreon - https://www.patreon.com/3MinModernist

Find out more at https://three-minute-modernist.pinecast.co

A look at Pavement Karaoke in PORT

Find out more at https://three-minute-modernist.pinecast.co

You can follow our patreon at https://www.patreon.com/3MinModernist

Find out more at https://three-minute-modernist.pinecast.co

Join our Patreon for early access, video, music, and more - https://www.patreon.com/3MinModernist

Find out more at https://three-minute-modernist.pinecast.co

Join our Patreon for early access, video, music, and more - https://www.patreon.com/3MinModernist

Find out more at https://three-minute-modernist.pinecast.co

https://art.famsf.org/la-fine-arts-squad/isle-california-lunch-brake-v-henderson-and-t-schoonhoven-19741

Join our Patreon for early access, video, music, and more - https://www.patreon.com/3MinModernist

Find out more at https://three-minute-modernist.pinecast.co

If you like this, and you want to help support Three Minute Modernist while getting early access to episodes, as well as exclusive art, video, and music, join our Patreon - https://www.patreon.com/3MinModernist

Find out more at https://three-minute-modernist.pinecast.co

More on Homa Taj - https://museumviews.com/

Auto-Generated Transcript   3MinMod-AndysMarilynSUMMARY KEYWORDS

andy warhol, maryland, andy, magazine, red, marilyn, hematology, painted, lines, piece, representations, work, painting, created, slashes, violent, image, canvas, crop, treating

SPEAKERS Christopher Garcia   Christopher Garcia  Homa Taj is untitled work that goes by the name of Andy's Marilyn one. It's a mixed media piece on canvas. And what it is, is it is the famous image of Marilyn Monroe the photograph, the headshot photograph, that Andy Warhol painted to make magenta, Maryland and all the Maryland's including the one that just sold for $195 million, the highest amount ever sold for an American painting, then created on the canvas portion, the rest of the bust. So it's the black dress, and shoulders and so forth, created a series of lines that look like crop lines, two of them are black in two and a half are red, there's sort of one split two, could be three, the black line looks like it's been it's been painted white in the background, and then etched in, perhaps, and then filled with black. But the red lines are what's fascinating. Because of the color. And the type, they look like slashes to the outer edges look like just slashes of red. And one of them even sort of runs along the shoulder. And there are sort of bits of red elsewhere. While the one closer to the face and head is more precise. It's this idea that our image of Marilyn was created from magazine, and more specifically, in this case created by Andy Warhol representations of her. And this work does several things. One, it calls to attention, because these look like the old marks that you would do when you were doing work for magazines, the cropping ways you would do you would put edges around it, this is the amount you're going to use to reproduce in the magazine, or the newspaper, I guess. There is something inherently violent about strikes of red like this. And you know, you could do these same things in exact, you know, perfect things and it would be less violent, but here, they sort of end there slashes and the way that the paint runs down her arm towards her elbow. And you see a little bit of it sort of pooling at the bottom of the painting right beneath right beneath her breasts. It brings this idea of what the representations of Marilyn weighed on her how in a way it was the magazines. It was the attention it was the art directors. And it was Andy Warhol, who was doing damage to Maryland through the obsessive representation. This piece, absolutely son to me, it's a brand new piece. It's apparently part of New York art week. And hematology I knew very little about and I've looked into more and I'm like, wow, that's cool. But the fact that this is Andy Warhols most famous image and this is Andy Warhol is year apparently with the huge sale of the Maryland painting and so many other little bits and pieces coming about Andy and I'm going to contribute to this because I've got three Andy Warhol episodes lined up ready to go. But this work. This says a lot about what the pop artists and the media in general were doing, how it was treating their subjects, and it just it's wonderful.

Find out more at https://three-minute-modernist.pinecast.co

art

contemporary art

takeda

painting

mordernist

Find out more at https://three-minute-modernist.pinecast.co

It's at The Met!

Find out more at https://three-minute-modernist.pinecast.co

A great look at the painting

Find out more at https://three-minute-modernist.pinecast.co

Mimmo Rotella at MoMA Mimmo Rotella at Artnet Mimmo Rotella at Tate Modern

Find out more at https://three-minute-modernist.pinecast.co

A wonderful piece at the Anderson Collection! First published in 2017.

Find out more at https://three-minute-modernist.pinecast.co

Another re-discovered episode from the old Three Minute Modernist website.

Find out more at https://three-minute-modernist.pinecast.co

Re-discovered among old files on the original Three Minute Modernist page (http://threeminutemodernist.weebly.com) this episode was originally published in 2017.

You can find out more on the work of Paul Cadmus at https://americanart.si.edu/artist/paul-cadmus-704

Find out more at https://three-minute-modernist.pinecast.co

ArtNet looks at the App

Find out more at https://three-minute-modernist.pinecast.co

Wayne Thibaud is closing in on 100 years old, and he's also the greatest living POP Artist.

What? You say he's not a POP Artist?

Listen and see why you're wrong...

Find out more at https://three-minute-modernist.pinecast.co

Wayne Thibaud is closing in on 100 years old, and he's also the greatest living POP Artist.

What? You say he's not a POP Artist?

Listen and see why you're wrong...

Find out more at https://three-minute-modernist.pinecast.co

One of the most impressive of all Abstract Expressionists, Adolph Gottlieb is saying as much about Abstract Expressionism as he is about the colors red and black.

Find out more at https://three-minute-modernist.pinecast.co

Anne Ryan's collages were some of the most interesting of the Abstract Expressionists.

Find out more at https://three-minute-modernist.pinecast.co

It's not a black painting, right? I mean there's color. A little. Another wonderful and thoughtful piece in The Anderson Collection

Find out more at https://three-minute-modernist.pinecast.co

Another episode about a wonderful piece at The Anderson Collection

Find out more at https://three-minute-modernist.pinecast.co

an incredible demonstration piece that is also a phenomenal music video, and an even more impressive example of video art and demonstrating how it all comes together when shown in a museum

You can experience The Wilderness Downtown at http://www.thewildernessdowntown.com/

Find out more at https://three-minute-modernist.pinecast.co

One of the best of the second wave of AbExers, Helen Frankenthaler's Approach is one of the most impressive pieces in the Anderson Collection at Stanford.

Find out more at https://three-minute-modernist.pinecast.co

There is little more LA than In 'n Out, and Bradford Salamon is one of the most LA of all artists working today!

Find out more at https://three-minute-modernist.pinecast.co

Another in our series of works from The Anderson Collection, Mouse Cup is a whimsical and wonderful work that explores the shaped canvas, as well as abstraction towards a representatioN!

Find out more at https://three-minute-modernist.pinecast.co

Natalia Fabia is the most Los Angeles of LA artists working today, and Blush Moon Endulgance is one of the finest works of this phenomenal artist!

Find out more at https://three-minute-modernist.pinecast.co

This piece, which dwells within the world of the AbEx theorum, is one of my fave discoveries of digging for Three Minute Modernist.

Find out more at https://three-minute-modernist.pinecast.co

Arguably the most dangerous of all Performance artists of the 20th century, Chris Burden did a lot of stupid stuff, including getting shot through the arm. Only a portion of the video of the event survives, though much of the audio still does, and it as a whole still works.

Find out more at https://three-minute-modernist.pinecast.co

Robert Rauschenberg was one of the most important of the artists in the transition from AbEx to POP Art. Monogram, with its distinctive tire around its middle, is one of the greatest works of art of the last century.

Find out more at https://three-minute-modernist.pinecast.co

Franz Kline's Figure 8 is a masterpiece, and arguably the greatest piece of Action Painting you'll ever see! Housed in The Anderson Collection at Stanford University, it's a glorious work. This is the first re-record of early Three Minute Modernist episodes.

Find out more at https://three-minute-modernist.pinecast.co

You can visit http://threeminutemodernist.weebly.com/ which will be updated and fixed over the next few months.

The sound quality for this is OK, but some popping. SORRY!!!

This podcast is powered by Pinecast.